I like constructing decent photographs, but I've never actually been shown how to do it until now. I was browsing groups on meetup.com, and I saw a photography group saying "no experience necessary." I matched the qualifications perfectly. I have a basic DSLR, but I have no idea how it really works, so I decided to go be among people that do. This group actually includes several pro and semi-pro photographers that get together to talk shop, share lenses, and share creative ideas. The organizer is a professional with his own studio space, so he hires models, brings them in, sets up the equipment, and everyone chips in for the fees. Basically, I got to work with a professional model, have a professional photographer set up the space and the lighting, and just shoot away under ideal conditions. I was surrounded by people who make at least a partial living with their cameras, so they schooled me on what lenses work best for what conditions and what the different settings on my camera actually do. One guy even let me use a couple of his lenses so I could see just what they did. It was awesome. "Try before you buy," he said. "That's why we're here."
I didn't think I'd enjoy a modelling shoot so much, but I guess it just takes the right model. Briony was beautiful and obviously a pro, and I took a few hundred pictures as a result. There were three different outfits/settings with time for everyone of the 8 of us that were there to be the primary photographer twice for each outfit/setting. I got to take some pictures, look at the results, fiddle with the settings, and take some more. Most of my first shots were way too bright, but even that can be pretty.
This one above was really just a timing issue on my part, as I was taking pictures while not controlling the flash (the flash control is attached to whomever is primary photographer at the time). I adjusted the brightness to accommodate, and I just happened to catch a shot when the flash was going. It made an oddly pleasing photo. It kinda looks like an album cover to me.
By the time Bri changed into a new outfit, I got a bit more comfortable adjusting my settings and even directing her a little bit. I had noticed that everyone else had definite ideas about where they wanted her and what they wanted her doing. When I suggested something, I half expected either Bri or the other photographers to say "Nah, I don't think that would work." But, she went with whatever I said. Directing her felt like directing kids in a play. I just went with my gut and learned as I went. Any time I heard other people taking pictures, I thought to myself "Sweet, I thought of a good one!"
One random idea I tried was having her standing next to the bed, as above. My new friends helped me rearrange the space to accommodate new lighting needs. They especially liked the light coming through the fabric, accentuating her form underneath. As a result, I was in the middle of a paparazzi moment with 6 or 7 cameras all shooting at once, with one or two right by my head to get nearly the same angle I'd chosen. That was a fun moment.
The first two shoots were extremely bright, so when Bri changed again, they put her in a very dark environment. Since there was no flash to control, everyone just basically took shots at the same time. They shared pose ideas, which was really fun to listen to. I just enjoyed watching them work while I tried to figure out how to get the right settings on my camera. Actually, everyone was, which made me feel good. People were showing off good shots to each other and saying what settings they'd used. This was more of a challenge to get right, but I got a couple keepers.
I don't think I quite got it right, but practice makes perfect. They were using a directional hand-held LED lamp, so getting used to that was a challenge. They'd point it at her, then away, then at a reflector. It changed the lighting conditions a lot, so it kept me thinking, looking at my screen after a shot, making adjustments, and trying again. By this time, one person had lent me a nice zoom lens to try, and it allowed me to stay in one place while I played with settings. Mostly, I tried to get balanced shots, but it was a lot to think about as conditions and poses changed. I actually found that I liked the middle shot that shows the directional lamp pointed at her. The shadows made it kind of fun.
Briony was a fabulous model with whom to work, and the other photographers were very helpful, so I had a great night overall. The only downside is that I now know I'm going to want a better lens.